THE PRIVATE BUCHMAN

Three of his friends, Campbell, Cece Broadhust and Charles Haines, often put on their own 'McCarthy show' at parties, mocking him and other colleagues with affectionate or pointed cheek. Broadhurst and Richard Hadden,* a gifted pianist in everything from Chopin to jazz, also had a topical patter act which delighted him. Evenings full of hilarious and often brilliant humour were a feature of the life around him, and a frequent element in house-parties and conferences. Buchman would laugh and laugh, the tears rolling down his face, while people feared he might fall off his chair. 'That was sheer worship,' he remarked after one such evening.

(* Hadden and his wife, Frances Roots, were the first Western pianists to give concerts in Communist China after the cultural revolution.)

By contrast he also loved to sit in complete silence with friends. One of his French colleagues, Michel Sentis, remembers one evening at Caux when they sat for an hour looking out as the sun went down over the lake and tinged the mountains opposite, 'saying nothing, just enjoying the silence. There was no need to say anything, because we were aware of the third Person above the two of us who was keeping the conversation going.' Sitting with some friends on one occasion, he mused, "God be in my head." As long as God is in my head, I can have a good laugh.'4 On another, with Campbell, Austin and Martin, he said, 'I'm an old man of 72 and I'm glad to have you with me. Not many old men have friends like you.'

He was unmusical, and did not enjoy serious concerts. He would only go for the sake of some guest or more often some musician friend, like Artur Rodzinski. He liked something with a beat and a tune. 'That's beautiful music,' he said when a Souza march came on the radio. 'That's music I understand.' After a concert by Gracie Fields, which he enjoyed to the full, Buchman remarked thoughtfully, 'I don't think I'd be a success as a concert singer.' That night he prayed for Gracie Fields and that Capri, where she lived, might be 'cleaned up'.

He used vocal music a great deal in his work, both a chorus and various trios and quartets, especially the three Californian Colwell Brothers with their witty topical songs. One day a diplomat came to lunch with Buchman and was duly entertained by the chorus with various uplifting songs about his country. 'He woke up when the yodelling began,' relates one of the party. 'When he had left, Frank took on the training of the chorus. They had learnt "Stars in My Crown" which they sang slowly and dully. So Frank waved his arms around to great effect and trained them how to sing it. Also he insisted on the words of "The Longest Porch" being audible. For one who claims not to appreciate music he did a wonderful job with them.'5

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